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Gold Medal Music Theory Level 8

 
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MessagePosté le: Ven 30 Juin - 23:54 (2017)    Sujet du message: Gold Medal Music Theory Level 8 Répondre en citant


Gold Medal Music Theory: Level 8
by Lynne Stenlund



->>>DOWNLOAD BOOK Gold Medal Music Theory: Level 8


This workbook is a complete resource for RCM Level 8 Theory Examination candidates. It is fully compliant with the 2016 RCM Theory Syllabus and is suitable for class teaching, private instruction or self study. An Answer Book is available separately. LIST OF CONTENTS: REQUIRED KEYS: All Major and Minor Keys NOTATION: Treble, Bass, Alto and Tenor Clefs, Grand Staff, Ledger Lines (up to four), Stem Direction, Accidentals (flat, double flat, sharp, double sharp, natural), Enharmonic Notes SCORE TYPES: String Quartet and Modern Vocal in Open and Short Score RHYTHYM: Relative Note and Rest Values (thirty-second to breve), Single and Double Dots, Ties, Irregular Note Groupings, Simple Time (duple, triple and quadruple), Compound Time (duple, triple and quadruple), Hybrid Time (duple, triple and quadruple), Rest Groupings, Anacrusis KEYS AND SCALES: Relative and Parallel, Major and Minor (natural, harmonic and melodic) Scales, All Scale Degrees, Other Scales: Chromatic, Whole Tone, Octatonic, Major Pentatonic, Minor Pentatonic and Blues, Key Recognition with Key Signature, Key Recognition with and without Key Signature, Modal Scales INTERVALS: Whole Steps, Chromatic and Diatonic Half Steps, All Simple and Compound Major, Minor, Augmented, Diminished and Perfect Intervals Above or Below a Given Note, Inversion of Simple and Compound Intervals TRANSPOSITION: Up or Down an Octave in Same or Different Clef, Same Pitch in Different Clef, Up or Down any Interval within the Octave, To Concert Pitch MELODY WRITING: Phrase Structure (same, similar, different), Implied Harmony, Passing and Neighbour Tones, Composition of Contrasting Period (major or minor keys) CHORDS: All Major and Minor Triads (Major and Harmonic Minor Scales) in Root Position and Inversions, close or open position, Dominant 7th in Root Position and Inversions, close or open position, Leading Tone Diminished 7th in Root Position, Functional Chord Symbols, Root Quality Chord Symbols, Cluster Chords, Quartal Chords and Polychords CADENCES: Identification and Writing of Authentic (V-I, V-i), Half (I-V, i-V, IV- V, iv- V) and Plagal (IV – I, IV – i) Keyboard and Chorale Style Cadences. MUSIC HISTORY: Ordo Virtutum, Sumer Is Icumen In, El grillo, “Kaboran (Gamelan Prawa),” “Evening Raga: Bhopali” ANALYSIS: Types of Motion: Parallel, Similar, Contrary, Oblique and Static Identification of Level 5, 6, 7 and 8 Concepts in Musical Example REVIEW TEST: Exam Style Practice Test TERMS AND SIGNS: As listed in the 2016 RCM Theory Syllabus






Gold Medal Music Theory: Level 8 Lynne Stenlund
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